Turning Inside Out Pool Landscaping

Experts say more and more head onto large patios and , into pools and onto intricately landscaped lawns.

Last summer, Christine and Joseph added an in-ground to the yard of their Hollidaysburg home. It was an addition that they had wanted since moving into their home four years ago.

According to local experts, the DeLeos have hit two of the big of — pools, patios and and landscaping.

Pools are a key component of many , says , co-owner of &; Spas in Duncansville.

“(Some) people will do their whole yard over when they put in an in-ground — and a little shed or something to store things in,” he says. “Above-grounds are usually not as elaborate, but they’re still building a shed or doing some . The becomes the of their backyard.”

‘‘What we do is kind of the backyard/outdoor room concept,’’ says , owner of Tussey Mountain in Hollidaysburg. ‘‘That varies from small to grand.’’

Martin, who has been doing for , says he’s seen the .

‘‘I think you’re seeing growth in it every year,’’ Martin says. ‘‘But in that last five years there seems to be more emphasis (on ).’’

Tussey Mountain also does more traditional , with elaborate lighting, , concrete walkways and pads and plants and trees.

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Tuesday, June 10th, 2008

Taconic Investment restores hope with Eastchester Heights

Sometimes, real estate development is about more than buying and selling properties Landscaping Rock. , for example, transforms neighborhoods.

Nowhere perhaps in the entire is this better executed than in the North of Baychester, where the Manhattan-based Taconic purchased a mammoth five-block, 114-building, 1,416-unit apartment complex, riddled with drugs and prostitution.

“It’s part of a focused strategy to buy properties that can turn around an entire area,” says Charles , a founder of Taconic, who also owns the full-block-size 111 ., between 15th and 16th Sts., and the building in the . “With large projects, you can create value by re-creating entire neighborhoods. Everyone benefits - the residents, us as owners as the asset appreciates in value, and the community.”

While this might sound like idealistic developer-speak or masquerade for profit-driven long-term planning, Taconic’s immediate impact through , renovations and has given new life and a new name - Eastchester Heights - to this residential complex that once nicknamed “Homicide Homes.”

“When this housing complex sneezes, the entire area catches a cold,” says , Taconic’s residential , spearheading tenant-landlord relations and Eastchester’s makeover. “If each household spends $100 per week on nearby , that’s $140,000 per week spent right in this neighborhood. That’s a lot of money.”

The history and architecture: This massive development is an architectural gem. Designed by , one of America’s most of the 1930s, Eastchester Heights was built as a planned community for middle-income city residents. Stein Rock, involved in the design of Sunnyside Gardens in Queens, studied planning and in England.

His work at Eastchester Heights, originally called Hillside Homes, complements the with large interior spaces across a series of four- and six-story brick buildings that rise with the hilly landscape. The streets act as terraces. Plush interior courtyards that look more like meadows harmoniously coexist with dark red-brick buildings accented by arched passageways and serving as paths.

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Tuesday, June 10th, 2008

Kilauea explosion closes parts of Hawaii Volcanoes National Park

VOLCANO, Hawaii An explosion atop the erupting Kilauea volcano has forced parts of the popular Hawaii Volcanoes National Park to remain closed today because of high sulfur dioxide levels and volcanic debris.

The explosion Wednesday rained gravel-sized rocks onto a lookout, road and trail. Part of the popular Chain of Craters road and some trails within the park near the summit are closed: “Elevated volcanic gas levels are dangerous to everyone and has prompted these closures in the interest of visitor safety,” said the park on its Web site.

It was the first explosion in Kilauea’s main Halemaumau Crater since 1924, scattering debris over an area of about 75 acres, said Jim Kauahikaua, scientist-in-charge at Hawaiian Volcano Observatory on the Big Island of Hawaii.

No lava erupted as part of the explosion. The lack of lava at the site suggests it was caused by hydrothermal or gas buildup, Kauahikaua said.

Scientists monitoring the summit say there’s a “remote possibility” of an eruption inside the half-mile-wide crater, but it’s unlikely because other indicators of an eruption aren’t present.

The 4,190-foot volcano has been erupting from fissures along its side steadily for more than a quarter century. The popular park draws thousands of people daily, with a visitors center and lodge near the crater rim.

While no lava was emitted by Wednesday’s eruption, lava is steadily flowing from a vent on Kilauea’s slopes outside of the park, on the east flank of the volcano. and tourists have been flocking to see the oozing, fiery flows at a lava-viewing area opened by the county at the end of Highway 130. (Get details at http://www.nps.gov/havo/planyourvisit/lavaflows.htm and phone for a recorded lava-update message at 808-961-8093.)

Gas precautions, park closures

After Wednesday’s eruption of Kilauea, fire and police authorities are creating emergency plans to evacuate nearby villages if the winds blow toxic gasses in their direction, said Duane Hosaka at Hawaii County Civil Defense. So far, the volcano’s gas emissions continue to move toward the sea, rather than over populated areas.

“There’s no evacuation or advisories. We’re still in the planning stages in case something happens so we’ll be prepared,” Hosaka said.

The explosion followed three months of increased activity in the crater, which has been releasing sulfur dioxide and carbon dioxide at levels higher than the dirtiest coal-fired power plant in the United States, said Hawaiian Volcano Observatory geochemist Jeff Sutton.

The American Lung Association of Hawaii advised people in the area to stay indoors, use air conditioners, avoid smoking, stock up on respiratory medications and quickly contact doctors if lung conditions deteriorate.

Rocks shot from Wednesday’s explosion damaged a wooden fence that visitors used to peer into the crater and created hazards across nearby roads and paths. Areas in the park that are shut because of explosive debris or high sulfur dioxide levels are:

%26#8226; Crater Rim Drive between Kilauea Military Campsouth/southeast to Chain of Craters Road.

%26#8226; Crater Rim Trail from Jaggar Museum parking lot south/southeast to Chain of Craters Road.

%26#8226; All trails leading to Halema`uma`u crater are closed including those from Byron Ledge, ‘Iliahi (Sandalwood) Trail, and Ka’u Desert Trail.

Rocks shot from the explosion damaged a wooden that visitors used to peer into the crater and created hazards across nearby roads and paths.

Kristin Jackson of Seattle Times Travel contributed to this report.

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Sunday, March 23rd, 2008

Creole Home Decorating Ideas to Try Out

Of all the styles of architecture and decorating around the world very few have taken the best of all the others and made it a little bit better in quite the way that the style often referred to as “French Creole” has managed to do. The truth is that while this style of architecture that New Orleans is famous for is really heavily borrowed from many other cultures and yet uniquely New Orleans at the same time.

Creole architecture for many brings to mind intricate wrought iron work, long shutters (to cover the windows during hurricanes originally), huge windows and doors (these were designed larger than typical homes in other parts of the country in order to create breezeways for the wind to come through in the sweltering hot summer months), and bright colors that you aren’t likely to find in most million dollar neighborhoods. This style of architecture and home décor is also famous for huge balconies-also with wrought iron railing.

The amazing thing about the Creole style of home decorating is that there is no one identifiable feature that labels a design style as decidedly Creole. Lagniappe is a term that people here quite often in and around New Orleans. For those who do not know, it means “a little something extra”. From an extra donut to a freebie bookmark and many things in between, that little something extra has a long history in New Orleans from the architecture to the music there always seems to be a little something extra that you couldn’t get anywhere else.

The interior design style of the Creole is also very similar. Some consider it gaudy but the consider it that little something extra and it is. You may find a little Gothic style, a little bit of Jazz, and a whole lot of Mardi Gras in one room and it s quite all right because you are getting all that and just a little bit of lagniappe too. Home decorating in Creole country is an art form that defies logic and yet makes perfect sense for the rich culture and heritage that it encompasses.

For those that need a little inspiration who would love to incorporate a little Cajun or Creole spice into their living spaces, perhaps the following suggestions will prove to be helpful.

1) Red peppers. Nothing says spice quite like a red pepper. There are all kinds of items you can find with red peppers in them these days from wallpaper borders to hand blown glass peppers, jar toppers, pot holders, kitchen towels, strings of lights for patios-even kitchen canisters decorated with red peppers. There are all kinds of options available to incorporate this theme into your home or one room of your home.

2) Music notes. Most people cannot think of Cajun country without thinking of the music that calls this great section of the country home. Music notes are a great way to symbolize the music that made New Orleans famous.

3) Mardi Gras Masks. Many people find that New Orleans symbolizes Mardi gras in their hearts and minds though New Orleans is not the birthplace of Mardi gras. The masks are a way that people from around the country can bring the ’spirit of New Orleans’ home with them and decorate their homes with that attitude that can only be referred to as Creole in many hearts and minds.

4) Food. Believe it or not the food is as much a part of the Creole home as any other design element. For this reason a French Creole style kitchen is often the way to go when it comes to home decorating in the Creole fashion. The kitchen is the heart of a Cajun home and food is what makes it that heart. Use jars of beans, rice, pastas, and other lagniappe as part of the overall design and you might just be amazed at just how Creole the room begins to look.

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Sunday, March 23rd, 2008

Hip hotel in a cool Austin hood

AUSTIN, Texas — Concrete floors don’t usually make the lists of amenities at boutique hotels. Nor do duvet-less beds or sterile, white bathrooms. But for some reason, it all works at Hotel San Jose, where in-the-know vagabonds mix and mingle with loyal on the intimate patio wine bar.

Planted on Austin’s funky, up-and-coming South Congress strip, this rehabbed 1930s motor lodge is on the northern end of a string of chic shops, restaurants and bars … and not much else. Downtown Austin is a mile north, about a 15-minute walk across the famously bat-infested Congress Bridge.

Then again, most folks who stay here aren’t too concerned with scoping out the Capitol, the museums or loud and crowded 6th Street. The biggest draw of Hotel San Jose (aside from its tastefully simple decor and the serene grounds on which it’s situated) is the fact that it’s not in downtown; rather, it’s in the heart of one of Austin’s hippest neighborhoods.

The South Congress Cafe and Tex-Mex standard Guero’s Taco Bar (reportedly a favorite of Bill Clinton) are just two spots where grab grub, and a bevy of little boutiques and salons sit pretty among galleries, antique malls and second-hand shops. Directly across the street from San Jose is the Continental rock club; farther south is a vintage Airstream trailer that’s been repurposed into a cupcake stand called, appropriately, Hey Cupcake! Needless to say, South Cong on the adjacent patio. San Jose’s staff, while pleasant, isn’t the friendliest in the business, but they’re patient.

ROOMS: There are only 40 of them, and while the decor — simple bedding with Indian-print bedspreads; white walls with tasteful, silk-screened rock ‘n’ roll poster art; heavy, sliding green bathroom doors — is consistent throughout, they vary drastically in size and location. Book a teensy, dorm-style shared bath ($105) and you’ll be sleeping over the lobby, while 420-square-foot courtyard suites ($375) are located on the second story of the courtyard building and feature high ceilings, sitting areas and private balconies overlooking the patio. Save for the three shared-bath quarters, all rooms feature a desk/table crafted from pine, Eames chairs and simple touches like a single flower in a vase and sturdy, stainless steel hangers.

BATHROOM: Like the rooms, the bathrooms are spartan and white. Porcelain white sinks have exposed plumbing; white towels are stacked on simple wooden benches. Dr. Bronner’s Pure-Castile Peppermint soap and toiletries from local companies Herbal Soapworks and Sabia neatly line the sill of basic showers covered in white subway tile. White hexagonal floor tiles spill over from the shower into the sink area where they meet that cool, concrete floor. Most bathrooms also contain the only storage area: a single chrome rod for hanging clothes over a built-in bench for storing luggage. Here you’ll also find robes and flip-flops (both available for purchase), and the “mini-bar” — a handmade pine wood-and-Plexiglas box containing the requisite goodies.

KID FRIENDLY: Each of the suites has a daybed that makes for suitable kids’ beds, but in general, San Jose is for grown-ups.

ROOM SERVICE: A handful of breakfast options — granola with berries, eggs rancheros and the like — are available a la carte or prix fixe ($10-$16) for delivery in-room or on the patio from 7 to 11 a.m.

PERKS %26amp; PEEVES: Just when you thought Hotel San Jose couldn’t get any cooler … Traveling musicians receive a 20 percent discount — music to the ears of rockers who make regular trips to Austin for its gajillion gigs and music festivals. The lobby’s DVD library offers an impressive collection of cult classics, rock ‘n’ roll-themed and foreign films for $2; and a pair of bikes are available for rent by the day or hour. There’s even a pool (albeit a tiny one). But there are cons: Rooms facing South Congress tend to be noisy. When traffic dies down at night, the Continental Club across the street is just waking up. And the location — great for strolling — isn’t very convenient for getting elsewhere. Cabs on Congress are sparse.

BOTTOM LINE: Standard rooms run $175 on weekends; suites run as high as $375 on weekends. Tax is 15 percent. Parking in an adjacent lot is free for guests. Two rooms are designed for handicap access.

HOTEL SAN JOSE

1316 S. Congress Ave.

Austin, Texas; 512-444-7322; www.sanjosehotel.com

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Friday, March 21st, 2008

Giving travelers a true taste of Welsh homelife

CAERNARFON, Wales — The smiling couple striding toward our van didn’t know us. But that didn’t stop Dilys and Dafydd Jones. Their welcome was warm and genuine.

And before we had crossed the sidewalk and the Joneses’ meticulously tended front garden rioting with a mild September’s many-colored flowers, we were immersed in amiable conversation.

Strangers no longer.

One of the frustrations of travel is that you see a nation’s sights, but its people remain out of reach on the other side of a car, train or bus window. You meet in shops and markets, smile at them on the street and observe them across a restaurant, but seldom are you invited into their homes and given the opportunity to see how they live.

Programs offering home-hosted dinners in North and South Wales open those doors for travelers. For a fee about equal to the cost of a restaurant meal, visitors can arrange to dine in a home on traditional Welsh fare.

Hosts are carefully chosen for “their warm, friendly personalities and their passion for Wales,” says Donna Goodman, coordinator in Caernarfon.

Guests choose themselves.

“We were interested in meeting Welsh people and being in the tiny Welsh homes,” recalls Don Payne of Garland, Texas, who with his wife, Elsie, ate with the Joneses in July. Among options available as part of their Grand Circle Travel tour, the couple selected a home dinner.

“The evening was delightful,” the retired Air Force major general recalls. “Not only was the food good, but it was an interesting venture into Welsh culture, which I would not have gotten otherwise. It was interesting and educational and enjoyable.”

We now followed in the Paynes’ footsteps: my husband, Travis; Idwal Jones, our guide; and I.

“We’re just ,” Dilys tells me as I pad after her into her roomy kitchen, past the dining table set with cloud-white linen, gleaming crystal and her treasured Royal Albert china.

Now retired, she previously worked as a secretary at a hospital. He’s a retired truck and bookmobile driver, a town historian and an avid reader about aviation, especially World War II-era planes and pilots. For fun, they answer casting calls for movie extras. Even Gelert, their aged dog, gets parts.

Their home is half of a duplex in what once was “council housing,” government-subsidized rentals for families who couldn’t afford to buy property. Thirty years ago, Prime Minister Margaret Thatcher decreed that longtime tenants could buy their units at a reasonable cost, and the Joneses did.

Their pride in ownership is obvious in the splendid front and rear gardens, the small but pristine rooms cleaned to within an inch of their lives, and the well-chosen and sturdy furnishings.

In this space about the size of a modest condo, they raised a son and two daughters and now welcome three grandchildren. Dilys had babysat her 12- and 4-year-old granddaughters all day before our visit and still had energy for us. Amazing.

Or, maybe not.

The Joneses are veteran hosts. Offering hospitality on Wednesdays and Fridays between March and October, they’ve welcomed more than 300 Americans to their table since 2006.

“I’ve really enjoyed every single one,” Dilys says. “We’ve had rocket scientists here, Vietnam pilots, teachers, psychologists, psychiatrist, an architect …” She stops and apologizes.

“You must excuse my English. We only speak Welsh unless we are with English speakers.”

I find her accent charming, her vocabulary broad, her ideas well expressed. No apology is needed.

She stirs a pot of potato and leek soup and sets out bowls. In the background, I hear the men deep in conversation about wartime aircraft. They pass around a bent and weathered piece of a Mosquito fighter plane that crashed in adjacent Snowdonia National Park.

Dilys serves small glasses of Irish cream liqueur. (Idwal’s driving; he sips water.) Our appetites sharpened, we’re then called to the table. Dilys places before us mint-colored soup with an ivory swirl of cream, and we begin a feast.

I help her clear the bowls. (It isn’t required, but it’s a grand way to have a chance to talk.) As the wide-ranging conversation rolls on in the dining room, Dilys in the kitchen gradually fills the dinner plates with generous slices of tender Welsh rib of beef, “dirty” (organic) carrots, red cabbage she has poached in pineapple juice, roasted potatoes, a pouf of Yorkshire pudding and mushy peas, which she pronounces “MOOSH-ie.”

Americans love the big green version of peas with their creamy sauce, she says. For the Welsh, this was the heart of many Sunday dinners, mixed with bits of “a cheap piece of shank” (pork).

The plates fill. And fill. Until the bounty threatens to spill over the roses-and-gold rim of each dish.

“I’ve got a regular routine, you see. This is how I do for my own family,” Dilys says. When she entertains, she adds, she saves a meal for the 87-year-old man up the road who has “nobody in the world” and very little money.

She sets a heaping plate drizzled with brown gravy before Travis, and he exclaims, “Holy moly!” Everyone laughs, understanding.

She serves herself last, and as we eat and sip red wine, talk roams from history to family to work to their label-making enterprise and beyond. All of it is peppered with Dafydd’s gentle jokes.

To our “mmmmm-ing” and “ahhhh-ing,” he declares, “It was me who taught her everything she knows about cooking.” Then, gesturing toward his face, he adds, “and I’ve got a nose like Pinocchio.”

Googan, a smoke-colored half-Persian with big eyes like new doubloons, soundlessly approaches Dafydd’s chair and looks up. The man’s big hand descends, and the cat wallows its head into Dafydd’s palm. Sated by the affection, Googan slips from the room.

The phone rings. It’s their son thanking Dilys for baby-sitting.

Out comes the couple’s album containing photos of each group they’ve entertained. They speak fondly of the folks behind the faces as each page is turned.

“They’re lovely people, every one,” Dilys says of the Americans. “It’s as if they’ve been cloned. They’re all lovely … so natural, and so gracious and thankful.”

She seems filled with wonder: “They thank me very much for coming into my humble home … and I’m sure they have massive big houses and loads and loads of .”

Dilys sets goblets of trifle before us. “This is what we used to get on a Sunday with tea.”

The dessert is layers of custard, sponge cake and juicy strawberries and peaches. “With a drop of sherry, of course,” Dafydd says.

Coffee and sconelike Welsh cakes are the epilogue to the epic meal. I feel as full as Santa Claus after all of those cookies.

The men go up the narrow staircase to Dafydd’s office to see online photos from the space shuttle, and Dilys and I chat. She tells me about losing her mother when she and her sister were young, and being adopted by an aunt, poor but loving.

In time, the good woman came to visit the Joneses at Christmas — and stayed 35 years. Not to worry. “Dafydd loved the bones of her,” Dilys says fondly.

She has put a Rod Stewart jazz CD on the player, and the melodies are irresistible.

We laugh and begin to dance in the living room. Idwal descends and cuts in, gently whirling Dilys through a song.

The Joneses stand at the curb waving as we drive away, our thank-yous echoing in the twilight.

Dilys has given me a key ring decorated with the figure of a Welsh woman in traditional garb. She says it’s to remember her by.

I finger the gift. Forget these good-humored, good people? Not in this lifetime.

IF YOU GO:

BOOKING A MEAL: Donna Goodman coordinates home-hosted dinners year-round in Caernarfon and the Bangor area in North Wales. She can arrange lunch, dinner or afternoon tea. A three-course evening meal with wine, beer and coffee is about $50. Reserve at least a week ahead. Contact: 011-44-1286-677059; infoturnstone-tours.co.uk .

In an unrelated program, Marianne Barrett arranges dinners in the Cardiff area in the south and in County Conwy and the Colwyn Bay area in the north. She began offering meals through Home Dinners in Wales in 1988. She advises booking on the program’s Web site (www.homedinnersinwales.com ). Dinners cost about $70 per person. Meals are available year-round. Contact: 011-44-2920-226680.

RESOURCES:

Wales tourism: 1-800-462-2748; www.visitwales.com .

U.K. tourism: 1-800-462-2748; www.visitbritain.us .

Train travel, passes in the United Kingdom: 1-866-274-8724; http://britrail.com .

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Wednesday, March 19th, 2008

Force eager to push for Highlanders scalp

The John Mitchell-coached Super 14 team banked its first win on New Zealand soil since joining the competition three years ago with a 27-17 victory over the Blues at North Harbour Stadium on Saturday night.
After training in Auckland for three days, the Perth-based franchise flew into the resort town ahead of its game against the Highlanders at the Events Centre on Saturday afternoon.
Team spokesman Michael Earsman said Force was looking forward to indulging in some sightseeing yesterday before getting back into the serious business of breaking into the top four.
Force is the top-ranked Australian franchise and is only one point behind the fourth-placed Blues.
Meanwhile, the Highlanders will hold a skills and drills session with players from Central Otago clubs and schools at the Wakatipu rugby club from 4.30pm today.
The will get a chance to show off their newfound skills on Saturday, with Arrowtown and Wakatipu meeting in an Otago Country premier game as the curtain-raiser, and 11 junior clubs and schools playing Rippa Rugby as pre-match entertainment before the 2.30pm kickoff of the main game.
It is the second full Super 14 game to be staged in Queenstown, with Highlanders officials hopeful of matching the 10,500 spectators last years game attracted.
Just over 2500 tickets had been sold yesterday.

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Wednesday, March 19th, 2008

Old railroad city in Va. goes avantgarde in museum design

ROANOKE, Va. — Until now, the prominent features of Roanoke’s have been neon: a Dr Pepper sign, a giant star atop Mill Mountain and an animated coffee pot that pours its contents into a cup. Not far away, “Jesus Saves” glows in red from a hilltop church.

But there is a new addition under construction in this old railroad city in the mountains of western Virginia: a $66 million contemporary art museum of steel, patinated zinc and glass under construction on a prominent downtown site amid 1920s-era brick facades.

The building will provide a new home for the Art Museum of Western Virginia, which will be renamed the Taubman Museum of Art when it opens in November.

The building was designed by Randall Stout, a Los Angeles architect, who said the exterior was drawn after months of working on plans for the interior.

“The beginning of bending roofs started to happen very quickly and very intuitively,” he said. The result — undulating roofs with sharp peaks unlike any building in the southeastern U.S. — could be evocative of the surrounding mountains.

Or not. One critic thought the rendering published in The Roanoke Times looked like “the wreck of the Flying Nun.”

“We’ve had a lot of people who really don’t like the building, and a lot of people who love the building, and a lot of people who can’t make up their minds whether they like it or not,” said Georganne Bingham, the Art Museum of Western Virginia’s director.

The mixed reaction was expected, she said.

“It’s a ,” Bingham said. “That makes it very emotional for people.”

While some have expressed wariness, the bold design of Frank Gehry’s protege is playing well elsewhere. It received an American Architecture Award last year from the Chicago Athenaeum, and Bingham said she expects an increased number of visitors from around the world as the fall opening date approaches.

Stout believes skeptics may be won over once they visit the museum.

“I think people will walk in and understand that the way the spaces flow and the high volumes of ceilings, the washing of natural light — I think they’ll recognize that as striking, and much different than entering maybe a more conventional building,” he said.

Stout draws inspiration in part from his childhood in rural east Tennessee, where he often played in an old tobacco barn. Its curing wings, high-ceiling hayloft and the ribbons of light that filtered through spaces in its wooden planks made him feel like he was in an elegant cathedral.

He still likes drama and sunlight in his buildings. Visitors will enter the three-story museum through an atrium with a domed glass ceiling rising 81 feet to a peak, featuring a wide staircase to second-floor galleries that “in itself is a dramatic piece of architecture,” museum spokeswoman Kimberly Templeton said.

Some 240,000 visitors are expected the first year, and Bingham is eager for them to see what the museum has to offer.

“I think they’re going to be very surprised to find out that we have something going on inside the building that makes the program worthy of the building,” she said.

The 81,000 square feet of space will give the museum four times the exhibit area that it has in its current building — room to display much more of the permanent collection as well as special exhibits. also might be surprised at how different the artwork looks once it is moved from the museum where lighting is difficult to control, Bingham said.

The museum now displays less than 6 percent of its permanent collection, which includes works of 19th and 20th century American art by Thomas Eakins, Norman Rockwell, John Singer Sargent and Winslow Homer and contemporary works by Jacob Johns, Robert Rauschenberg and Sally Mann.

Each gallery will be distinctive. For instance, a Judith Leiber collection of women’s jeweled purses will be suspended in individual lighted glass spheres in a small gallery with its walls and ceiling covered in black fabric.

About 70 percent of visitors are expected to come from within a 100-mile radius of Roanoke, a city of close to 95,000 that was the headquarters of the Norfolk %26amp; Western Railway before it merged with the Southern in the 1980s. The city’s transportation museum has a number of locomotives built in the city, and the O. Winston Link Museum features photography of the steam-engine era.

Nearly $52 million has been raised for the museum, including $12 million in government money. Among 175 donors, the largest gift has been $15 million from Nicholas and Eugenia Taubman, for whom the new building will be named. Nicholas Taubman, a Roanoke native, is U.S. ambassador to Romania.

While the building departs from tradition, Stout pays homage to Roanoke’s roots. On one side of the building, passing Norfolk Southern trains are visible on nearby tracks. Balconies on the opposite side give bird’s-eye views of the H%26amp;C coffee pot and Dr Pepper signs.

“If we can help people celebrate who they are and what they are and what their role has meant,” Bingham said, “then we’ll feel like we are accomplishing a lot of our goal.”

If You Go…

ART MUSEUM OF WESTERN VIRGINIA: Center in the Square, One Market Square, Roanoke, Va.; http://www.artmuseumroanoke.org/ or 540-342-5760. The museum galleries will close in their current location June 10 and are scheduled to reopen in the new building Nov. 8 on Salem Avenue between Market Street and Williamson Road.

ROANOKE TOURISM: http://www.visitroanokeva.com or 800-635-5535. Other local attractions include the O. Winston Link Museum and the Virginia Museum of Transportation, which has a locomotive collection.

Copyright document.write(new Date().getFullYear()); Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

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Saturday, March 15th, 2008

Old railroad city in Va. goes avantgarde in museum design

ROANOKE, Va. — Until now, the prominent features of Roanoke’s have been neon: a Dr Pepper sign, a giant star atop Mill Mountain and an animated coffee pot that pours its contents into a cup. Not far away, “Jesus Saves” glows in red from a hilltop church.

But there is a new addition under construction in this old railroad city in the mountains of western Virginia: a $66 million contemporary art museum of steel, patinated zinc and glass under construction on a prominent downtown site amid 1920s-era brick facades.

The building will provide a new home for the Art Museum of Western Virginia, which will be renamed the Taubman Museum of Art when it opens in November.

The building was designed by Randall Stout, a Los Angeles architect, who said the exterior was drawn after months of working on plans for the interior.

“The beginning of bending roofs started to happen very quickly and very intuitively,” he said. The result — undulating roofs with sharp peaks unlike any building in the southeastern U.S. — could be evocative of the surrounding mountains.

Or not. One critic thought the rendering published in The Roanoke Times looked like “the wreck of the Flying Nun.”

“We’ve had a lot of people who really don’t like the building, and a lot of people who love the building, and a lot of people who can’t make up their minds whether they like it or not,” said Georganne Bingham, the Art Museum of Western Virginia’s director.

The mixed reaction was expected, she said.

“It’s a ,” Bingham said. “That makes it very emotional for people.”

While some have expressed wariness, the bold design of Frank Gehry’s protege is playing well elsewhere. It received an American Architecture Award last year from the Chicago Athenaeum, and Bingham said she expects an increased number of visitors from around the world as the fall opening date approaches.

Stout believes skeptics may be won over once they visit the museum.

“I think people will walk in and understand that the way the spaces flow and the high volumes of ceilings, the washing of natural light — I think they’ll recognize that as striking, and much different than entering maybe a more conventional building,” he said.

Stout draws inspiration in part from his childhood in rural east Tennessee, where he often played in an old tobacco barn. Its curing wings, high-ceiling hayloft and the ribbons of light that filtered through spaces in its wooden planks made him feel like he was in an elegant cathedral.

He still likes drama and sunlight in his buildings. Visitors will enter the three-story museum through an atrium with a domed glass ceiling rising 81 feet to a peak, featuring a wide staircase to second-floor galleries that “in itself is a dramatic piece of architecture,” museum spokeswoman Kimberly Templeton said.

Some 240,000 visitors are expected the first year, and Bingham is eager for them to see what the museum has to offer.

“I think they’re going to be very surprised to find out that we have something going on inside the building that makes the program worthy of the building,” she said.

The 81,000 square feet of space will give the museum four times the exhibit area that it has in its current building — room to display much more of the permanent collection as well as special exhibits. also might be surprised at how different the artwork looks once it is moved from the museum where lighting is difficult to control, Bingham said.

The museum now displays less than 6 percent of its permanent collection, which includes works of 19th and 20th century American art by Thomas Eakins, Norman Rockwell, John Singer Sargent and Winslow Homer and contemporary works by Jacob Johns, Robert Rauschenberg and Sally Mann.

Each gallery will be distinctive. For instance, a Judith Leiber collection of women’s jeweled purses will be suspended in individual lighted glass spheres in a small gallery with its walls and ceiling covered in black fabric.

About 70 percent of visitors are expected to come from within a 100-mile radius of Roanoke, a city of close to 95,000 that was the headquarters of the Norfolk %26amp; Western Railway before it merged with the Southern in the 1980s. The city’s transportation museum has a number of locomotives built in the city, and the O. Winston Link Museum features photography of the steam-engine era.

Nearly $52 million has been raised for the museum, including $12 million in government money. Among 175 donors, the largest gift has been $15 million from Nicholas and Eugenia Taubman, for whom the new building will be named. Nicholas Taubman, a Roanoke native, is U.S. ambassador to Romania.

While the building departs from tradition, Stout pays homage to Roanoke’s roots. On one side of the building, passing Norfolk Southern trains are visible on nearby tracks. Balconies on the opposite side give bird’s-eye views of the H%26amp;C coffee pot and Dr Pepper signs.

“If we can help people celebrate who they are and what they are and what their role has meant,” Bingham said, “then we’ll feel like we are accomplishing a lot of our goal.”

If You Go…

ART MUSEUM OF WESTERN VIRGINIA: Center in the Square, One Market Square, Roanoke, Va.; http://www.artmuseumroanoke.org/ or 540-342-5760. The museum galleries will close in their current location June 10 and are scheduled to reopen in the new building Nov. 8 on Salem Avenue between Market Street and Williamson Road.

ROANOKE TOURISM: http://www.visitroanokeva.com or 800-635-5535. Other local attractions include the O. Winston Link Museum and the Virginia Museum of Transportation, which has a locomotive collection.

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Saturday, March 15th, 2008

Who needs Paris when we have Hanoi

HANOI — “Hello, pineapple!” That’s our next-door neighbor, the woman in the straw hat with baskets of pineapples and bananas balanced on either end of a bamboo pole, calling out to me over the din of the motorbikes whizzing by the front door of the Golden Lotus Hotel.

“Pineapple? Bananas? How much you want to pay?”

Hmm … maybe some pho instead. Set up by 5:30 a.m. for the breakfast rush, our neighborhood vendor lines up blue plastic stools along the curb. It won’t be long before customers arrive for her beef noodle soup steaming in a pot on the sidewalk.

The Vissan Sai Gon bakery has fresh baguettes. A few blocks away, at Cafe Pho Co near Hoan Kiem Lake, Hanoi’s version of Seattle’s Green Lake, glasses of ca phe sua da — iced espresso with sweetened condensed milk — await.

Who needs Paris when we have Hanoi?

All we have to do is get across the street.

Think about what it would be like to walk across a highway at rush hour, and you start to get an idea of what it means to be a pedestrian in Hanoi. Take out the median and most of the traffic lights. Replace most of the cars with motorbikes, all honking their horns at the same time.

Then start walking. Don’t hesitate. Don’t stop in the middle of the street. Keep going.

Somehow, it all works.

Are cars on the way?

“Five or six years ago, all you could see in the streets were bicycles,” says Cuong Nguyen, 29, a guide for a local travel agency.

If the trend continues, Hanoi’s streets will be clogged with cars in another five or six years, just like Bangkok and Beijing.

For now, however, the back of an xe om — motorcycle taxi, or moto for short — is an efficient way of getting from one place to another quickly.

For my first ride, I chose a driver whose glasses, graying hair and mustache reminded me of my father. His Honda was old and beat-up, but his look of experience trumped a fancy bike.

We agreed on a price for the short ride back to my hotel. I hopped on, hugged his waist and off we went, honking our way around a few cars and buses, but mostly other bikes.

It was midafternoon, and traffic was light. I wouldn’t do this at rush hour, or in the rain when the streets are a sea of colored plastic ponchos, but for a short ride with a good driver, it actually felt safer than crossing a busy intersection on foot. It certainly was easier.

It was also cheap thrills. My ride cost 60 cents.

In Bangkok, we awakened to the chanting of Buddhist monks. In Kuala Lumpur, it was the Muslim call to prayer. Here in Hanoi, the sounds of business start early and go late.

Communism and capitalism blend easily. A post-Vietnam War baby boom and a fast-paced, free-market economy have combined to make Hanoi one of Asia’s best values.

An example is the Golden Lotus, where my husband, Tom, and I stayed in the Hoan Kiem Lake district on the edge of the old quarter, a maze of 36 streets laid out during medieval times, each named after the merchandise made or sold there.

At $50 a night, including breakfast, the 12-room Golden Lotus (www.goldenlotushotel.com.vn) was the best lodging value we found in three weeks of traveling through Southeast Asia. The rooms were long and narrow, with balconies fronting the street. Ours had floors of lacquered wood, a desk, wardrobe, king-size bed, modern bathroom and an Internet connection. Hanging on one wall was a knock-off Picasso, the work of one of the many Hanoi street artists who copy famous paintings and sell them for about $45 each.

Our street, Hang Trong, was lined with shops selling silks and lacquerware, but it’s also a neighborhood where live on the upper floors of tall, skinny houses built by the French in the 19th century.

Almost anyone can and does start a business. I stood on our one morning and counted the kinds of roving shops people run from the backs of bicycles. I spotted bikes laden with teapots and kitchen utensils, plastic buckets, rattan baskets, flowers, baguettes, brooms and potted plants.

Women are adept at balancing baskets on their shoulders with bamboo poles. Some carry nothing heavier than paper funeral supplies; others haul pineapples or melons or portable kitchens for making egg sandwiches on the spot. The best eating is done squatting curbside on a plastic stool while a woman dishes out bowls of pho (noodle soup) spiked with lime, slices of chili pepper and handfuls of fresh herbs.

aside, there are tons of atmospheric restaurants hidden in converted 19th-century shop houses along the back streets. Two can eat well for $10-$12 with beer or fruit shakes.

At Green Tangerine, in a restored French villa at 48 Hang Be Street in the old quarter, we sampled well-prepared traditional Vietnamese dishes several notches above what was available on the street or in small cafes.

The pho with spring onions was more delicate than anything we had tasted so far. With the fans spinning overhead, the shutters open and French jazz almost drowning out the , the Tangerine was a splurge by Hanoi standards, but like most everything here, a bargain by ours. The bill was $21 each with drinks.

For people-watching, we headed each morning and most evenings to Hoan Kiem Lake, the symbolic center of modern Hanoi, where a stroll usually calls for a snack, and vendors are at the ready with slices of chocolate bread, water, ice cream or oranges.

Cigarette sellers claim prime sidewalk real estate after dark, competing with each other by using the cartons to create towering displays. Mornings before dawn, friends get together to do tai chi, aerobic dance to boom-box music, play badminton or lift barbells at portable sidewalk gyms.

Hoan Kiem (Lake of the Restored Sword) gets its name from a legend. In the 15th century, Emperor Le Thai To supposedly handed down a magic sword to a mythical tortoise living in the lake, helping him fight off Chinese invaders.

A prime spot for picture-taking is the fifth-floor rooftop of the City View Cafe on Dinh Tien Hoang Street, a few doors from the Thang Long Puppet Theatre where puppeteers stand waste-deep in water while manipulating fire-breathing dragons with bamboo sticks.

Here 80 cents buys an iced coffee and a window table on the terrace, with a view of the lake or rush-hour traffic. Your choice.

IF YOU GO:

WHERE: The Vietnamese capital of Hanoi is in North Vietnam, about 85 miles inland from the South China Sea. Flight connections from Seattle are usually through Taipei, Taiwan or Seoul, South Korea. See www.kayak.com for schedules and prices, or check with one of the travel agencies in Seattle’s International District. Many offer discount fares.

LODGING: Golden Lotus Hotel, 32 Pho Hang Trong, Old Quarter. Phone: 011-84 928 8583, or see www.goldenlotushotel.com.vn. Rates: $40-$50 for a double with breakfast. Deluxe rooms have balconies facing the street.

CURRENCY: Everyone’s a millionaire. One U.S. dollar is worth about 16,000 Vietnamese dong. Most places accept U.S. dollars. Automated teller machines (dispensing dong) are widely available.

TRAVELER’S TIP: Bells ringing in the old quarter signal that the garbage man is making his rounds through the neighborhood.

MORE INFORMATION: See www.vietnamtourism.com . U.S. citizens need visas to enter Vietnam. Info at www.vietnamembassy-usa.org/consular(underscore)/visa(underscore )info.

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Saturday, March 15th, 2008